// selected work
Nine Perfect Strangers S2 (2025) // Onset Livegrading
Dir: Jonathan Levine, Anthony Byrne // DP: Frank Lamm
Constellation (2024) // DIT and Dailies Colorist
Dir: Michelle McLaren, Oliver Hirschbiegel, Joseph Cedar // DP: Markus Förderer, Frank Lamm, Yaron Scharf
Die Herrlichkeit des Lebens (2024) // Dailies Colorist
Dir: Georg Maas, Judith Kaufmann // DP: Judith Kaufmann
Der Greif (2023) // DIT & Dailies Colorist
Dir: Sebastian Marker, // DP: Willy Detmeyer
Die Therapie (2023) // DIT & Dailies Colorist
Dir: Thor Freudenthal, // DP: Sten Mende
Munich: Edge Of War (2021) // DIT & Dailies Colorist
Dir: Christian Schwochow // DP: Frank Lamm
Uncharted (2021) // 2nd Unit DIT
Dir: Scott Rogers // DP: Brad Shield
Auerhaus (2019) // DIT & Dailies Colorist
Dir: Neele Volmar // DP: Frank Lamm
Die Deutschstunde (2019) // DIT & Dailies Colorist
Dir: Christian Schwochow // DP: Frank Lamm
Bad Banks (2016) // DIT & Dailies Colorist
Dir: Christian Schwochow // DP: Frank Lamm
// About
I’m a media technology graduate (B.Sc.) with a strong foundation in film and post-production. Starting out as a video operator, I quickly found my way into data wrangling, and by 2015, I took on my first roles as a DIT and dailies colorist.
Over the years, I’ve specialized in color grading and post-production workflows, with hands-on experience using tools like DaVinci Resolve and data management software such as Pomfort Silverstack. Today, my focus is increasingly on live grading on set, helping productions achieve their visual look right from the start
// selected clients
